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Attic red figure column krater.
The subject which encompasses both sides of the vase is the return of hephaistos to mount olympos the home of the gods.
Finally painted red and white highlights were added before firing.
The realism of antaeus s face is equally innovative.
Greek attic about 475 450 bce terracotta 39 x 31 2 cm yale university art gallery.
Florence painter greek attic active about 450 b c 30 5 cm 12 in 81 ae 161.
Beth harris and dr.
A masterpiece of greek pottery this calyx krater by euphronios known as the krater of antaeus is one of the most elegant attic red figure vases ever produced.
Attic pottery was exported to magna graecia and even etruria the preference for attic vases led to the development of local south italian and etrurian workshops or schools strongly influenced by attic style but producing exclusively for local markets.
460 50 b c e 54 x 56 cm musée du louvre speakers.
Purchased 1883 g 341.
Niobid painter niobid krater attic red figure calyx krater c.
Attic red figure calyx krater known as the niobid krater circa 460 450 bc.
In the red figure technique the process was reversed and the figures appeared in red against a black background.
However by 480 b c the black figure style would be effectively replaced by red figure wares which first appeared around 530.
Red figure column krater syriskos painter red figure column krater public domain.
Dimensions 17 3 8 16.
Myson greek attic active 500 475 b c 34 31 2 cm 13 3 8 12 5 16 in 86 ae 205.
Red figure column krater.
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Attic red figure column krater.
Medium terracotta with slip.
Attic red figure column krater.
Artist syriskos painter greek attic culture nationality greek.
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Date 480 460 bc.
The detailed rendering of the muscles of the bodies in combat is precise and original.
Gift of allison v.
Clay red figure technique white highlights h.
Sully wing 1st floor galerie campana iv room 652.
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Open content images tend to be large in file size.
Greek etruscan and roman antiquities.
On red figure vases the symposium itself was often depicted this krater is of exceptional significance because it is one of the first on which wine women and song are presented albeit in a mythological guise.